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Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes
Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes
Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes
Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes

Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes

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“The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” “The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” Those two albums came out simultaneously. And their lead singles – “Take It Easy (Love Nothing),” from the austere, remote Digital Ash, and “Lua,” from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. “First Day of My Life,” also from Wide Awake, would later be voted the Number One love song of all time by NPR Music’s reader’s poll.

Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band’s careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, “When The President Talks To God.”

These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era’s releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of “harmonica and mandolins – folky vibes,” Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter. CD
The Big Picture
Method Acting
False Advertising
You Will. You? Will. You? Will. You? Will
Lover I Don't Have to Love
Bowl of Oranges
Don't Know When But a Day Is Gonna Come
Nothing Gets Crossed Out
Make War
Waste of Paint
From a Balance Beam
Laura Laurent
Let's Not Shit Ourselves (To Love and to Be Loved)

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  • HeadingLifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes

Description

DESCRIPTION
“The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” “The first three are innocent in a way, because we didn’t have an audience when we were making them,” Oberst says. “But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.” Those two albums came out simultaneously. And their lead singles – “Take It Easy (Love Nothing),” from the austere, remote Digital Ash, and “Lua,” from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. “First Day of My Life,” also from Wide Awake, would later be voted the Number One love song of all time by NPR Music’s reader’s poll.

Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band’s careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, “When The President Talks To God.”

These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era’s releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of “harmonica and mandolins – folky vibes,” Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter. CD
The Big Picture
Method Acting
False Advertising
You Will. You? Will. You? Will. You? Will
Lover I Don't Have to Love
Bowl of Oranges
Don't Know When But a Day Is Gonna Come
Nothing Gets Crossed Out
Make War
Waste of Paint
From a Balance Beam
Laura Laurent
Let's Not Shit Ourselves (To Love and to Be Loved)

Brand

RHYTHM

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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out
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Quality Products | Great Prices | Winter Sale - Don't Miss out

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Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes
Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground, By: Bright Eyes