{"product_id":"a-la-sala-by-khruangbin","title":"A La Sala,  By: Khruangbin","description":"\u003cp\u003eDESCRIPTION Khruangbin’s fourth studio album, A La Sala (“To the Room” inSpanish), is an exercise in returning in order to go further, and doing so on your own terms.\u003c\/p\u003e\n\n\u003cp\u003eIt continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music.\u003c\/p\u003e\n\n\u003cp\u003eIf 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.\u003c\/p\u003e\n\n\u003cp\u003eThe trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders.\u003c\/p\u003e\n\n\u003cp\u003eWhere prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points —whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven. Tracks: CD\u003cbr\u003e\nFifteen Fifty-Three\u003cbr\u003e\nMay Ninth\u003cbr\u003e\nAda Jean\u003cbr\u003e\nFarolim de Felgueiras\u003cbr\u003e\nPon Pón\u003cbr\u003e\nTodavía Viva\u003cbr\u003e\nJuegos y Nubes\u003cbr\u003e\nHold Me Up (Thank You)\u003cbr\u003e\nCaja de la Sala\u003cbr\u003e\nThree From Two\u003cbr\u003e\nA Love International\u003cbr\u003e\nLes Petits Gris\u003c\/p\u003e","brand":"RHYTHM","offers":[{"title":"Default Title","offer_id":50425039192257,"sku":"DOC357CD","price":29.98,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/6482\/1953\/files\/438470-Product-0-I-638917027005505574.jpg?v=1784618713","url":"https:\/\/techsupplyshed.co.nz\/products\/a-la-sala-by-khruangbin","provider":"TECH SUPPLY SHED","version":"1.0","type":"link"}